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Did the Mayans Fly Airplanes?
Another great mystery that has caused many researchers to scratch their heads, are a group of 1,000-year-old gold pendants which have been unearthed within the Mayan ruins. These pendants measure just 150mm x 125mm in dimension, but they resemble objects that look almost exactly like modern-day airplanes. Some people debate the possibilities that these pendants are actually supposed to be flying insects or animals, but others bring up evidence that seems to prove that this is not the case. Airplanes, you see, require a part called a “vertical stabilizer”, which all of these pendants happen to feature, yet not a single animal on earth possesses. The question that remains is, “Could these aircraft actually fly?”
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Ancient Gold: Greek Gold Diadems
Greek Gold Diadem with Leaves, Carnelian Cabochons and a Horse with Rider, Panticapaeum, 3rd Century BC |
The term originally referred to the embroidered white silk ribbon, ending in a knot and two fringed strips often draped over the shoulders, that surrounded the head of the king to denote his authority. Such ribbons were also used to crown victorious athletes in important sports games in antiquity.
An impressive gold diadem with repousse rosettes and thin sheets applied at the top. Grave III (Grave of the Women), Grave Circle A, Mycenae, 16th.cent BC. |
High-ranking or wealthy Greek women often wore elaborate diadems and hairnets of gold and gemstones as part of their jewelry. Due to its protective quality, it also became important in marriage symbolism and was a common motif for women's jewelry of the Hellenistic period, and in royal Macedonian art more generally.
adorned the head of the buried Mycenean Princes |
A diadem is also a jeweled ornament in the shape of a half crown, worn by women and placed over the forehead (in this sense, also called tiara).
In some societies, it may be a wreath worn around the head. The ancient Persians wore a high and erect royal tiara encircled with a diadem. Hera, queen of the Greek gods, wore a golden crown called the diadem.
Two gold diadems from Grave Circle A at Mycenae. |
By extension, "diadem" can be used generally for an emblem of regal power or dignity. The head regalia worn by Roman Emperors, from the time of Diocletian onwards, is described as a diadem in the original sources.
Treasures of the Sarmatians : Horse Cover
Accomplished horse-breeders and horsemen, Sarmatians were nomadic Indo-European tribes closely related to the Scythians.
The Roman historian Ammianus Marcellinus describes Sarmatian tribesmen as “tall and handsome, their hair inclines to blond; by the ferocity of their gaze they inspire dread. They delight in danger and warfare.”
A fascinating feature of Sarmatian society was the high status accorded to women. Sarmatian warrior queens were renowned in antiquity. Herodotus affirmed that the Sarmatians were descendants of the Amazons and Scythians, whose women “frequently hunted on horseback with their husbands; in war taking the field; and wore the very same dress as the men.” The Sarmatian tradition had it that “no girl should wed till she had killed a man in battle.” In ancient kurgans, sumptuous female burials often included swords and arrowheads together with elegant jewelry inlaid with dazzling gems in the Hellenistic style. Eastern campaigns of Alexander the Great (356-323 BC) spread Greek influences throughout his huge empire and exposed local artisans to new styles. The composite style that emerged is known as Hellenistic.
The Sarmatians were overrun by the invasions of the Goths and Huns in the 3rd and 4th centuries AD. The intense multi-ethnic encounter on the steppe resulted in a complex mix of cultures and artistic styles, evident in the artifacts found in the region.
The horse-cover consists of more than 15,500 golden links. Was found in the city of Azov .
The Roman historian Ammianus Marcellinus describes Sarmatian tribesmen as “tall and handsome, their hair inclines to blond; by the ferocity of their gaze they inspire dread. They delight in danger and warfare.”
A fascinating feature of Sarmatian society was the high status accorded to women. Sarmatian warrior queens were renowned in antiquity. Herodotus affirmed that the Sarmatians were descendants of the Amazons and Scythians, whose women “frequently hunted on horseback with their husbands; in war taking the field; and wore the very same dress as the men.” The Sarmatian tradition had it that “no girl should wed till she had killed a man in battle.” In ancient kurgans, sumptuous female burials often included swords and arrowheads together with elegant jewelry inlaid with dazzling gems in the Hellenistic style. Eastern campaigns of Alexander the Great (356-323 BC) spread Greek influences throughout his huge empire and exposed local artisans to new styles. The composite style that emerged is known as Hellenistic.
The Sarmatians were overrun by the invasions of the Goths and Huns in the 3rd and 4th centuries AD. The intense multi-ethnic encounter on the steppe resulted in a complex mix of cultures and artistic styles, evident in the artifacts found in the region.
The horse-cover consists of more than 15,500 golden links. Was found in the city of Azov .
Vratsa Gold Treasure
The most impressive treasures of Ancient Thrace – the Mogilanska Mound treasure.
The 2,500-year-old Mogilanska Mound Treasure, also known as the Vratsa Gold Treasure, was found during the excavations of an Ancient Thracian burial mound in the downtown of Vratsa back in 1965.
In addition to the human and horse skeletons and the chariots discovered
in the mound’s three tombs, the archaeologists also found a treasure
consisting of a golden laurel wreath, 47 gold appliqués, 2 golden
earrings, 4 silver phialae, a silver jug, a rhyton-shaped amphora, and
50 clay figures.
The Mogilanska Mound is believed to have been a royal tomb of the ruling
dynasty of the Ancient Thracian tribe Triballi which inhabited the
region of Northwest Bulgaria more than 2,000 years ago.
The most valuable artifact from the Vratsa Gold Treasure is the golden
laurel wreath which decorated the head of an Ancient Thracian princess.
The 2,500-year-old Mogilanska Mound Treasure, also known as the Vratsa Gold Treasure, was found during the excavations of an Ancient Thracian burial mound in the downtown of Vratsa back in 1965.
a model reconstruction of the princess’s face based on the skull discovered in one of the Mogilanska Mound tombs created by renowned Bulgarian anthropologist Prof. Yordan Yordanov. |
The elaborate gold earrings of the Thracian princess |
This gold-plated silver greave (knee-piece) |
Gold Jug |
O Golden mask of Teres I, the first ruler of the Odrysian kingdom
The King Teres’ Gold Mask – a Masterpiece of the Thracian Craftmanship
“This is a unique mask and it looks even better than the famous image of king Agamemnon”, said the archeologist prof. Kitov, who discovered it, referring to the mask of Agamemnon, gound by Schliemann in Mycenae.
It is a 2400-year-old life-size mask made of 23.5-carat gold and weighing 672 g (1.48 lb). The mask belonged to king Teres I (450 – 431 BC) and was unearthed in a mound at the Valley of the Thracian kings, Kazanlak region in August, 2004. The sensational archaeological discovery was made by Prof. Georgi Kitov (1943 – 2008) and his team. According to him, “There have been other gold masks discovered, but all of them are made of foil-thin gold. Gold masks with this shape and weight are absolutely unknown”. Besides the king Teres mask, the archaeologists excavated more than 130 precious items including jewelry, weaponry and ritual vessels.
Golden royal ring IV c. BC Gold ring ,dating from the IV c. BC, found in a Thracian king's tomb near Zlatinitsa, Bulgaria The miniature scene of his plate represents the Great Mother Goddess, skid glass of wine the king himself. |
The Valley of Thracian Kings Thracian gold shell |
Five golden earrings from the Thracian tombs in cemeteries Duvanlii (5-4 c. BC.) |
Visor |
Dozens of Thracian mounds are spread throughout this Bulgarian region, which archaeologists have called ‘The Valley of the Thracian Kings,’ a reference to the Valley of the Kings near Luxor, which is home to the tombs of Egyptian pharaohs.
As a result of all the archaeological discoveries made at the Valley of the Thracian Kings, Bulgaria has proposed that UNESCO should inscribe the Valley on its World Heritage List.
(Sources: Treasures Fit for the Kings, by Jumana Farouky, TIME magazine, May 29, 2005)
THE TREASURE OF VALCHITRAN
The Valchitran Treasure was discovered in 1924 by two brothers who were working in their vineyard near the village of Valchitran, 22 km southeast of Pleven, Bulgaria. The hoard consists of 13 receptacles, different in form and size and is dated back to 1300 BC, at the time of the Thracians.
Not only the shape of the following vessel itself, but also its intended purpose is very interesting. It is supposed that the Thracian king-priests used the vessels for religious rituals. More specifically rituals related to god Dionysus, worshiped by the ancient Greeks, as well as by the Thracians.
The triple vessel allows three different liquids to be poured in it, for example wine, honey and milk, or only two different liquids to be poured in the side (right and left) almond-shaped pieces, and when they mix thanks to the tubes a certain result becomes visisble, used by the priests to tell the fortune watching the middle piece of the triple vessel.
We can only guess what the purpose of the cymbal-like items was. Were they really cymbals or were used as lids for another vessels? Is their shape related to the sun cult or has another merely practical explanation?
A very interesting fact regarding the small cups is that the master goldsmiths made them in such a way that they would stand in upright position only when filled with liquid.
Probably we will never find out the right answers to these questions but the Valchitran golden treasure gives us the opportunity to touch on antiquity in a unique and mysterious way. The treasure dates back to the end of the Bronze Age, i.e. to the 16th – 12th century BC.
It seems certain that the big, wide and relatively deep gold vessels were used to dilute and mix wine: the ancients used to mix wine, honey and milk in them when they were about to make effusions in honor of Dionysos.
It is now one of the most valuable possessions of the National Archaeological Museum in Sofia.
Not only the shape of the following vessel itself, but also its intended purpose is very interesting. It is supposed that the Thracian king-priests used the vessels for religious rituals. More specifically rituals related to god Dionysus, worshiped by the ancient Greeks, as well as by the Thracians.
The triple vessel allows three different liquids to be poured in it, for example wine, honey and milk, or only two different liquids to be poured in the side (right and left) almond-shaped pieces, and when they mix thanks to the tubes a certain result becomes visisble, used by the priests to tell the fortune watching the middle piece of the triple vessel.
We can only guess what the purpose of the cymbal-like items was. Were they really cymbals or were used as lids for another vessels? Is their shape related to the sun cult or has another merely practical explanation?
A very interesting fact regarding the small cups is that the master goldsmiths made them in such a way that they would stand in upright position only when filled with liquid.
Probably we will never find out the right answers to these questions but the Valchitran golden treasure gives us the opportunity to touch on antiquity in a unique and mysterious way. The treasure dates back to the end of the Bronze Age, i.e. to the 16th – 12th century BC.
It seems certain that the big, wide and relatively deep gold vessels were used to dilute and mix wine: the ancients used to mix wine, honey and milk in them when they were about to make effusions in honor of Dionysos.
It is now one of the most valuable possessions of the National Archaeological Museum in Sofia.
Grave of ‘Griffin Warrior’ at Pylos
A bronze age tomb filled with epic treasures was found near the palace of the legendary king Nestor
Archaeologists in Greece unearthed the skeleton of an ancient warrior that has rested undisturbed for more than 3,500 years with more than 1,400 precious objects.
The tomb, found in Pylos, on the southwest coast of Greece, has been hailed by the Greek ministry of culture as “the most important to have been discovered in 65 years in continental Greece.”
The skeleton of the adult male was found this summer by a University of Cincinnati-led international team who was excavating what they initially believed was a Bronze Age house.
Instead, they were presented with a spectacular find.
Stretched out on his back, a skeleton lay on the floor of the grave. Weapons lay to his left, and jewelry to his right.
This gold ring found in the warrior’s grave depicts Minoan imagery of a leaping bull. Four complete solid-gold seal rings to be worn on a human finger were found. This number is more than found with any single burial elsewhere in Greece. |
The remains were literally covered with objects. A bronze sword, with the ivory hilt covered in gold, was placed near the head and chest. Next to it was a gold-hilted dagger, while more weapons were found by the man’s legs and feet.
The hilt of a Minoan sword found in the tomb, which was close to the surface but lay undisturbed for 35 centuries. “So many walked over it so many times, including our own team,” said Jack L. Davis, who with his wife, Sharon R. Stocker, has been excavating at Pylos for 25 years.
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A plaque of carved ivory with a depiction of a griffon with huge wings lay between the man’s legs, and nearby was a bronze mirror with an ivory handle.
A bronze mirror
with an ivory handle found in a grave of a warrior at Pylos in Greece.
Credit Department of Classics/University of Cincinnati
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Six ivory combs were discovered within the wealthy Mycenaean warrior's tomb. (University of Cincinnati)
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Gold cups rested on the chest and stomach, and near the neck the archaeologists found a perfectly preserved gold necklace with two pendants.
Removed from the earth and cleaned, details of the chain, including finials in a “sacral ivy” pattern, become clear. A unique necklace of square box-shaped golden wires, more than 30
inches long with two gold pendants decorated with ivy leaves.
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A detail of the chain’s box weave. |
Spread around the head were over 1,000 beads of carnelian, amethyst, jasper, agate and gold. Four gold rings, and silver cups as well as bronze bowls, cups, jugs and basins were found nearby.
A clay oil lamp was also unearthed as part of the cache. Dating from the
Hellenistic period, the lamp contained some agate stones that were part
of a string of beadsNested in the clay oil lamp, the agate stones are extremely well preserved, as if they were brand new.
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“It is truly amazing that no ceramic vessels were included among the grave gifts. All the cups, pitchers and basins we found were of metal: bronze, silver and gold. He clearly could afford to hold regular pots of ceramic in disdain,” said Sharon Stocker who, along with husband Jack Davis, led the University of Cincinnati team.
Stashed inside a niche, one of the spelunkers first spotted two ancient
silver coins.
On one side of the coins was an image of Alexander the Great, while the
other side portrayed Zeus sitting on his throne.
The archaeologists believe the coins had been minted in the late fourth
century BC at beginning of the Hellenistic Period during the reign of
Alexander the Great.
Read more at Discovery, New York Times
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Ancient Gold Helmets
Agris helmet
A ceremonial Celtic helmet from c. 350 BC that was found in a cave near Agris, Charente, France, in 1981. It is a masterpiece of Celtic art, and would probably have been used for display rather than worn in battle. The helmet consists of an iron cap completely covered with bands of bronze. The bronze is in turn covered with unusually pure gold leaf, with embedded coral decorations attached using silver rivets.
Celtic helmet decorated with gold "triskeles", found in Amfreville-sous-les-Monts, France. 400 BC
Golden Roman helmet found in village of Berkasovo (Srem, Serbia). Beginning of IV century AD. Museum of Vojvodina, Novi Sad, Serbia
A Scythian gold helmet from the fourth century B.C.
Brass Corinthian helmet with laurel wreath finished in gold. Worn by the Kings Bodyguard/Basilikon Somatophylax.
A ceremonial Celtic helmet from c. 350 BC that was found in a cave near Agris, Charente, France, in 1981. It is a masterpiece of Celtic art, and would probably have been used for display rather than worn in battle. The helmet consists of an iron cap completely covered with bands of bronze. The bronze is in turn covered with unusually pure gold leaf, with embedded coral decorations attached using silver rivets.
Celtic helmet decorated with gold "triskeles", found in Amfreville-sous-les-Monts, France. 400 BC
Golden Roman helmet found in village of Berkasovo (Srem, Serbia). Beginning of IV century AD. Museum of Vojvodina, Novi Sad, Serbia
A Scythian gold helmet from the fourth century B.C.
Brass Corinthian helmet with laurel wreath finished in gold. Worn by the Kings Bodyguard/Basilikon Somatophylax.
The Regolini-Galassi Tomb - Etruscan Gold
In 1836 the archaeologists Archbishop Alessandro Regolini and General Vincenzo Galassi uncovered an intact tomb of a high-ranking Etruscan womanIn the western necropolis of Cerveteri, in the village of Sorbo. Following the discovery of the tomb’s spectacular treasures, which included hundreds of pieces of jewelry, all things Etruscan became fashionable in Europe. Italian goldsmiths, masters in the techniques of granulation and filigree work, developed neo-Etruscan style jewelry.
Golden disc fibula from the Regolini-Galassi tomb, 7th century BC (photo: Vatican Museum) |
This grand gold fibula adorned with five tiny lions depicted striding across its surface, and a large 25 cm long plaque, decorated with depictions of animals of Eastern origin was one of the many gold items found in the tomb.The fibula has been acclaimed as masterful in technique.
Together with the fibula, this breastplate was worn by the deceased woman in the end cell who thus appeared to the amazed discoverers as literally covered in gold.
It consists of a single laminated sheet shaped and decorated with embossed work with a series of 16 different punches. The decoration is divided into strips that follow the margins, going around the central emblem, and are characterized by the serial repetition of the same motif. Starting from the outer strip we see the following series of illustrations: broken line; grazing male ibex; winged lion; chimera with two protomes; pegasus; rear view of lion; grazing deer; woman in a tunic with a palm frond; winged lion, winged woman, lion. In the central emblem: semicircular decorations with overlapping spirals and stems, winged lions, women with palms and four male figures, each holding the front paws of a pair of rampant lions.
Four of the eighteen fibulae from the Regolini-Galassi Tomb tomb that were probably used to fasten the shroud.
The arm bands came from the Regolini-Galassi tomb at Cerveteri. They were manufactured in the middle of the 7th century B.C., in the local area; each bracelet is made of a rectangular band of gold.
The central part of each bracelet is decorated with repeated scenes of three standing female figures, who hold a palm in each hand.
At each end, the bands are decorated with a more complex scene: two palms surround a woman who stands between two lions, each stretching out a front paw and leaning the other on her shoulder.
Embossed and engraved gilt silver cup, from Regolini Galassi tomb at Cerveteri (Rome) |
Gold Earring Stud 530–480 BC |