The images you'll see as you scroll down to the current text are all part of the story telling in my novel, Realms of Gold:Ritual to Romance.

Bianca Caldwell, pen name, Bianca Fiore, is a writer for an art magazine. In each of her monthly stories she describes an object used in ancient ritual.

The Staffordshire Hoard: Stylised seahorse

A figure pocked with nail holes may represent a horse— Just 1.6 inches high, it was made by a master goldsmith who knew how to heat the metal almost to melting point to attach the tiny swirls.

Many of the pieces in the Staffordshire Hoard are decorated using filigree, a technique which creates patterns by soldering lengths of twisted wire to a base plate. This sea-horse mount is one of the most remarkable pieces in the hoard decorated using this technique. The filigree work on it is astonishingly fine –a grain of rice is longer than three of the spirals which make up the decoration.

The top terminal is shaped into a horse’s head, with facial features distinguishable by soldered bead style filigree outlining an eye and snout.

The body then curves to form a sharp outward point, and then again to an end terminal, which looks to have broken off.

Connected to the left of this is an extended piece of fashioned gold that may have been or part of an attachment.

The body vertically divides into four columns that match its length, and within each is a continuous pattern of raised thin double coils in a filigree design.

The reverse side has no decoration and is plain except for the impression of the eye and snout.


There is some discussion as to whether this mount really represents a seahorse or not. Some experts argue that the Anglo-Saxons tended not to portray animals particularly realistically and that it is better to regard this mount a showing a stylised horse’s head. Others feel that the shape is so reminiscent of the species of seahorse that lives off the coast of Britain that the maker must really have intended to picture a seahorse

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