The images you'll see as you scroll down to the current text are all part of the story telling in my novel, Realms of Gold:Ritual to Romance.


Bianca Caldwell, pen name, Bianca Fiore, is a writer for an art magazine. In each of her monthly stories she describes an object used in ancient ritual.

Showing posts with label Celts. Show all posts
Showing posts with label Celts. Show all posts

The Vix Krater and the Lady of Vix Was she Princess, Priestess, Queen?




The area around the village of Vix, in North east Burgundy is the site of an important prehistoric complex from the Celtic late Hallstatt period.(500 B.), the beginning of the Iron Age. Overlooking this tiny village (200 inhabitants) are traces of an important fortified settlement of an aristocratic, elitist society influenced by Greek and Etruscan culture. 

In 1953 the treasure of the of "the Lady of Vix was discovered, the site dating back to circa 500 BC. The site had never been looted and contained remarkably rich grave offerings, including important jewelry and the magnificent bronze Vix Krater the largest known metal vessel from antiquity. The wealth of this Celtic tribe was derived from farming (with the iron plough) from collecting tolls at the point on the Seine where the river became navigable for transport.They also exchanged tin and copper, salt, furs, and Baltic amber for luxury goods-- fine bronze objects, Greek ceramics, and coral. The cargos were shipped via the Rhone River, south to Massilia (Marseilles) , to finally reach other Mediterranean ports.




The spectacular jewels buried with the :"Lady of Vix," mark her social position. For these Celts gold was a symbol of power. The gold of the Lady (or Princess, or Priestess) of Vix was meant to show those dwelling in the Otherworld that she was important and therefore deserved special treatment. For this reason one could easily speculate that she was a princess or druidess who would display her power to the gods of the Afterlife. The great cauldron, in this case the krater, was the symbol of immortality and abundance to the ancient Celts. There are no records that indicate if druid burials included ornaments of any sort in their burial chambers or even if they were buried at all. However, since they held the highest places in society, it is likely that their burials were elaborate. Although there are few early references to druids in early history, one of the first known mention was in the works of Aristotle, the teacher of Alexander the Great.



Celts - Gold Torque, Detail

Vix, France.
480 BC




This massive torque or diadem was found in the grave of a powerful woman, consisting of 40 individual parts. The two spheres at the ring terminals are held in the paws of lions. The two small winged horses are reminiscent of Pegasus from Greek mythology and bear witness to increased contact with the Mediterranean world. 




Ancient Gold: Gold Torc of the Warrrior


Depictions of the gods and goddesses of Celtic mythology frequently show them wearing torcs. One of the earliest known depictions of a torc can be found on the Warrior of Hirschlanden (6th century BC)



This torc was found in a grave beside which stood the statue of the warrior. 

Figural and ornamental elements are suspended from the right, which also shows ten masks. The particularly striking feature is the three conical studs similar to those worn by the statue. They might all depict the same deceased.

Kunst der Kelten, Historisches Museum Bern.

From Roumania Bronze "Crow" Helmets.

 
A bronze Celtic helmet from Canosa di Puglia, Italy.  This 4th century B.C. bronze helmet with coral inlays was found in Canosa, a small town mere n the Adriatic Sea. Its discovery proves the presence of Celts in Italy.  The helmet is contemporary with the founding of a Celtic settlement on the Adriatic north of Ancona by the tribe of the Senones who migrated from the area around Sens, in Burgundy.   The town to this day has the name Senigallia, to mean Gaul of the Senones.  These were the fierce Celts who sacked Rome and the shrines of Delphi in Greece.  We'd always bypassed Senigallia on our way to Venice from Vieste, my father's hometown, but we'd never stopped there until this year.  -I  was disappointed not to have found any remains of Celtic culture,only a luxury seaside vacation spot with charming hotels, and the  immense Rotondo del Mare, sitting right on the sea and reached by a board walk. 



These birds on these bronze Celtic helmets had beady red glass eyesemi and movable wings which flapped when the warrior charged, running to the enemy,paralyzed with fear. The wail of the carnyx, the immense bronze trumpet, also instilled panic in the enemy. 


Ancient Gold: Celtic Helmet


Musée d’Angoulême

This impressive piece of art was buried in a cave in Agris, western France. The entire cap, neck guard and cheek guards were embellished with a lavish gold tendril and leaf design. Together with the gold, the inset coral. highly valued by the Celts, make this helmet a stunning example of Celtic workmanship.  Somewhat later than the Lady of Vix, About 350.B.C





Gold Over Bronze. Coral Inlay   Found in 1980's in a Cave in Western France