The images you'll see as you scroll down to the current text are all part of the story telling in my novel, Realms of Gold:Ritual to Romance.


Bianca Caldwell, pen name, Bianca Fiore, is a writer for an art magazine. In each of her monthly stories she describes an object used in ancient ritual.

Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

The Comerford Crown, a Bronze Age gold ‘hat’ from Tipperary

The Comerford Crown

The Comerford Crown is striking gold artifact, whose origins probably lie in the Late Bronze Age. It was discovered in 1692 in a peat bog at Bearna Eile (The Devil’s Bit), Co. Tipperary. As the picture above shows, it was profusely decorated, in what was most likely repousse ornamentation. An extraordinary object, the crown must have created a considerable stir when found.  It soon caught the eye of a Mr. Joseph Comerford, who purchased it and subsequently brought it to Châteaux de Anglure in Champagne, France, where he was then resident. Unfortunately, the crown went missing soon afterwards.

Bowls of Axtroki.


Parallels for this precious object can be found in continental Europe, where a small number of gold hats/vessels are recorded from Bronze Age contexts. In the northwest of the Iberian peninsula, for example, at least three gold hats or bowls have been recovered that are strikingly similar to the Comerford Crown. Fashioned out of carefully hammered gold, they are covered in repoussé decoration that is comparable to the Tipperary crown, especially the circular motifs and banded ornamentation.

Bowls of Axtroki are gold bowls semi-spherical in shape finished in a curved border. It could have served as a bowl or a helmet.

At the time it was found in a site in Axtroki (province of Guipuzcoa) with another smaller bowl inside. It has recently been proposed that both pieces could actually be ceremonial helmets or hats used in some form of rite or ceremony.

Their geometrical decoration has been interpreted as a symbol of the sun.

The Comerford Crown is not the only Bronze Age ‘hat’ recorded from Ireland and in the late 17th century a second gold crown/vessel  was found nearby at the Bog of Cullen, Co. Tipperary. Known locally as the Golden Bog, due to the sheer quantity of artifacts recovered from its depths during the 17th and 18th centuries, this morass appears to have been an important ritual site during the Late Bronze Age. Unfortunately, very few of the objects found in the bog have survived to the present day and the gold ‘crown’ is no different. In 1744 it was purchased by a Limerick Jeweller, Joseph Kinshalloe, who melted down the artifact to produce 6 ounces worth of gold. Another gold ‘crown’, described rather unusually as shaped like a shell, was also discovered in Co. Limerick at Kilpeacon in 1821. Regrettably, this object was similarly melted down for bullion.


Ancient gold with a twist in its story is put on display



The 3,000-year-old torc was found four years ago in boggy ground at Corrard in Co Fermanagh, Northern Ireland, by a passer-by who at first thought he had found a car engine spring. He realized its significance two years later, and it was declared treasure.

The rare piece weighs 720 grams and is approximately 87% gold, 11% silver and 2% copper. Its design would have been fashionable in Britain, Ireland and France between 1300-1100BC.

Torcs have been closely associated with the Celtic people of Bronze Age Europe since at least Roman times, when figures were often identified as Celtic in sculpture and paintings by the torcs they wore.

Made by smiths who expertly twisted the metal into a ribbon-like appearance (which gives the object its name, from the Latin torqueo, ‘to twist’), torcs were worn around the neck, waist, arm or breast.

However, a mystery surrounds the Ulster torc. In its present condition it could not have been worn anywhere on the body as it has been deliberately coiled like a spring.

The torc’s original design would have been as a large circular hoop with two solid terminals at either end. These are believed to have acted as interlocking clasps, much like a clasp on a necklace.

The reason for the change of shape is a mystery. The practice of deliberately coiling torcs before burial is more common in Southern England. Only one other torc in Ireland has been found in a similar shape.

Some have suggested that the coiling was an act to ‘decommission’ the object after its owner died. Alternatively, it may have been a votive offering; an object made with the intention of deliberately burying it as an offering to the gods.

Ulster Musuem, Belfast

Cong Abbey




Cong Abbey is a historic site located at Cong, on the borders of counties Galway and Mayo, in Ireland's province of Connacht. The ruins of the former Augustinian abbey mostly date to the 13th century and have been described as featuring some of finest examples of medieval ecclestial architecture in Ireland.

In the early 7th century, a church was built at this site, reportedly by Saint Feichin. A later building was destroyed by fire in 1114. Within the next twenty years or so, Turlough Mor O’Connor, the High King of Ireland, refounded the abbey.

 In 1198, his son, Ruaidrí Ua Conchobair (Rory O'Connor), Ireland's last High King, constructed new buildings and also lived the last 15 years of his life at the abbey.  He died here and was reportedly briefly buried in the abbey before being re-interred and buried at Clonmacnoise.

Doorway with carving of Rory O’Connor
Stone carving of Rory O’Connor


Cong Abbey was suppressed in 1542 during the reign of Henry VIII. Although it was at times used by monks after that point, it later fell into ruins.

The last (nominal) abbot was Father Patrick Prendergast, parish priest of Cong from 1795 until his death in 1829. He was the preserver of the Cross of Cong. After his death, the cross was bought by James MacCullagh for the Royal Irish Academy.

The remains of Cong Abbey have been praised as featuring some of the finest examples of early gothic architecture and masonry in Ireland.The present church, and possibly the fragmentary cloister where the monks worked and prayed, belong to the rebuilding of the early 13th century.


Cong Cloister

The north doorway of the church, and the elaborate doorways that open onto the cloister from the east range of the monastery, may pre-date the attack by William de Burgo. The doorway with two fine windows on either side belongs to the chapter house, where the monastery’s daily business was conducted as well as a chapter of the rule being read each day. This was also where the community gathered to confess their sins publicly. The sculpture in the abbey, which is some of the finest in Ireland, suggests links to French styles of the period.

North Doorway


The grounds of the abbey also contain a monks’ fishing house, probably built in the 15th or 16th century, on an island in the River Cong leading towards nearby Lough Corrib.




The house is built on a platform of stones over a small arch which allows the river to flow underneath the floor. There is a trapdoor in the floor in which the fish may have been kept fresh. According to local tradition, a line was connected from the fishing house to the monastery kitchen to alert the cook to fresh fish.